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allstar1255
25.11.2020 •
English
Throughout human history, dreams have terrified, thrilled, and
inspired us. But what do they mean? What is their purpose? This essay will provide several explanations from various fields and raise a few questions about dreams that are yet to be answered.
2. What qualifies as a dream exactly? The term dream can refer to
our hopes about the future, as in, "One day I dream of visiting
Paris." Dreams can also refer to waking fantasies that we largely
have control over, such as daydreams. However, the scientific
field of oneirology is concerned with what happens when we
sleep. "For a dream to be a dream, it has to be an involuntary
experience that occurs during the Rapid Eye Movement, or REM,
stage of sleep," says neuropsychologist Martin Dyson. "All other
uses of the word dream fall outside the domain of science."
While all types of dreams are important, it is these nighttime
dreams that truly fascinate us.
3. In a typical night's rest, REM sleep is the stage that happens in
the final few hours before we wake up in the morning. In The Science of Dreams and the Dreams of Science, author Isabella
Greene explains that this stage of sleep is marked by brain
activity that is similar to the brain activity of people who are
awake (224). Sleepers have "experiences" during REM sleep, just
as waking people do. Some scientists think that during REM
sleep the brain clears out our short-term memory and commits
important experiences, such as getting a raise or breaking up
with our sweethearts, to long-term memory. But why we dream
during this process is still a mystery.
4. Some intriguing, though incomplete, ideas have come from
researchers trying to explain why our brains give us such vivid
and emotional experiences every night. Sigmund Freud believed
that dreams are expressions of memories and anxieties that we
avoid thinking about during our waking lives. Carl Jung provided
a modern version of the ancient opinion that dreams are
messages that help us figure out how to avoid disaster, almost
like prophecies. Perhaps the popularity of Jung's interpretation is
the reason that many people keep dream journals, wherein they write down their dream experiences before they forget them.
After all, if dreams are messages, one had better not ignore them.
5. But interpreting dreams seems to be a basic human desire, and
interpretations of dreams predate modern psychology by many
years. The ancient Sumerians, Chinese, and Indians believed that,
during dreams, the soul escapes from the body to wander in a spiritual realm. The ancient Greek physician, Hippocrates,
theorized that the soul creates its environment when one is asleep and receives its environment when one is awake. Given
that modern science has yet to explain dreams, any ancient interpretation is as good as a modern one for now. Perhaps one
day that won't be the case.
6. Until the truth behind dreams is finally revealed, people will continue to speculate about their purpose. And even if the role of dreams is finally articulated, dreams will continue to haunt us,
fascinate us, and move us. which is the best example of a description paragraph in the essay?
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Ответ:
Pacing in literary-fiction could be portrayed as manipulation of time. In spite of the fact that pacing is regularly ignored and misconstrued by starting journalists, it is one of the key specialty components an author must ace to deliver great fiction. Top of the line writer Elmore Leonard prescribes basically 'removing everything, except the great parts.' While this is fascinating exhortation, the accompanying write-up covers the matter of pacing and style and form of the story in detail. The components of time depicted in any story or screenplay incorporate the season of day or period; scene versus rundown; flashback; and portending. These components of time raise curiosity in various ways.
A scene is vital piece of all fiction. We can't have a story without it. A scene covers a brief timeframe in a more drawn out entry. What could take just a couple of moments progressively may be shrouded in passages, even pages, contingent on the essayist and the occasion.
This practice has been incredibly accomplished by the Russian author Nikolai Gogol in his snide short-story "The Nose". The substance of the story is totally soaked in with properties, for example, symbolization, energy in the scene, awesome mockery and amusingness. A good example of this is the narrator's sarcasm is treatment of the barber Ivan Yakovlevitch. The storyteller actually can't resist mocking him each time he comes up in the story. Above all else, as he takes a seat to eat, the storyteller says that he "donned a jacket over his shirt for politeness's sake". What's more, same when he goes to toss the nose out into the river, and the storyteller considers him a "commendable subject".
The story starts as an approach to confuse the audience by the exemplification of the nose, which is stated by many scholars as phallic factor of the society. Major Kovalyov is hero of the story, a man with numerous irregularities and logical inconsistencies. Gogol utilizes this to feature the "fractured identity of the main character”. There is a huge imbalance on how Kovalyov sees himself, and how the outside world sees him. As opposed to concentrating on his internal appearance, the majority of his vitality and thought goes towards keeping up his outward appearance. This sort of depiction of a normal native of Saint Petersburg mirrors Gogol's situation as a transplant to the city, which sees the social pecking order of the city from an outside perspective.
Toward the end the story, it gives the idea that Gogol is talking straightforwardly to the audience. It is never clarified why the Nose tumbled off in any case, why it could talk, nor why it got itself reattached. By doing this, Gogol was playing on the suppositions of readers, who may cheerfully look for foolish stories, and yet, still need for an ordinary clarification. All in all, the essayist does his best by not abridging scenes, the writer does his best by not summarizing events. Rather he concentrates on the moment in the scene to dramatize the action. The question is to how does he balance the scenes and use the exposition so gracefully?
The scene he made has development, similarly as in a story we have strife, emergency and goals, he treated the scenes in the short-story with a similar kind of shape. His commencement over the topic or style of writing is notable as his scenes, at one specific moment, creates important behavioral suggestions on the characters.
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