Read the passage from "Children of the Wartime
Evacuation."
Which idea is most repeated in this passage?
When Harry died, Sheila and her mother went to the
funeral: "When we got to Chesham, we were treated like
the closest members of his family. In fact, in the church -
and this was the first Christian funeral my mother and I had
ever been to - we were put to sit in the front row, in front of
Uncle Harry's nieces and nephews. It was only then,
think, that I really appreciated how much our little family
had meant to him - and had gone on meaning to him all his
life.”
A )Sheila and her mother went to Harry's funeral to honor his memory .

B)When Harry died, Sheila and her mother were invited to the funeral.
C)Harry's family treated Sheila and her mother very kindly
at the funeral.
D)At the church, Sheila and her mother sat in the front with Harry's family.

-"Children of the Wartime Evacuation,"
Iulie Summer

I think its c

Explanation:

In the passage it would repeat Harry's family and their action towards Sheila and her mother. For example, " we were treated like the closest members of his family.", and how they were put in the front row near his nieces and nephews.

John Singleton Copley's portrait shows Paul Revere, an artisan. He is a famous silversmith and etcher. In this portrait, it seems the artisan is about to begin engraving the silver teapot he is holding on his hand, but we have interrupted him by looking at him on the portrait. He regardfully stares at us. He is not only an artisan, but a full artist. He is a smart man looking at us attentively. He is trying to guess what is the reason why we are disrupting him as he is a very important citizen in his society. Everybody knows that he is an excellent artisan, his work is widely known and recognized in the society he lives in.

This portrait was done in 1768. The painting technique used is oil on canvas. Its dimensions are 35 inches high and 28.5 inches wide. At present, it is at Carolyn A. and Peter S. Lynch Gallery (Revolutionary Boston, gallery 132.)

John Singleton Copley emigrated to London when Paul Revere made his legendary midnight ride to alert the Good citizens that the British were coming. He painted this portrait of Paul Revere some years earlier, when Revere was known as a silversmith with a flourishing Boston trade, but not as an American hero yet. Although Revere was active by then, even in revolutionary politics, Copley prudently kept the portrait free from any hint of controversy. We can see that the portrait captures the qualities that allowed Revere to play an instrumental role in colony times: physical strength, moral certainty, intelligence, and explicit dedication to a cause.