Which statement best explains why taxation without representation was a major issue for the colonists?

the colonists wanted more influence over how taxes were spent.
the colonists equated a lack of representation with a lack of consent to be ruled.
the colonists sought more control of tax collection to keep the money in the colonies.
the colonists felt that the collection of taxes violated their natural rights.

The correct answer is:

The colonists equated a lack of representation with a lack of consent to be ruled.

Explanation:

Taxation without representation was one of the major causes of the American Revolution. Colonists believed that taxation was an abuse of power from Britain because the American colonies had no representation in the British Parliament, and that the British Parliament would only protect British interests inside Britain. Colonists equated taxation without representation as a lack of consent to be ruled because there was no agreement between the government and the governed, therefor, it was a violation of the social contract and was an unconstitutional act.

The first attempt to impose taxes on the colonies was the Stamp Act of 1765, which colonists repealed. The Townshend Acts of 1767 followed it, and was partially repealed by colonists, the last attempt was the Tea Act of 1773, which resulted in the Boston Tea Party protest.

The correct answer of the given question above would be the second option. The statement that best explains why taxation without representation was a major issue for the colonists is because the colonists equated a lack of representation with a lack of consent to be ruled. Hope this helps.

The correct answer is letter B

It is called Ragtime a musical rhythm cultivated in the United States, especially between 1896 and 1917, is called ragtime, and it is recognized as one of the matrixes that formed North American jazz. Its origin is related to bars and juke-joints frequented by North American blacks, and its name derives from the expression "ragged time".

Strictly speaking, there are four main types of ragtime music, but the most well-known and still heard type today is the instrumental "classic" rag, which consists of a piece for piano or band, of syncopated rhythm, with a characteristic bass " boom-chick ". A typical example is the soundtrack to the movie "Stroke by Master" (The Sting), with Paul Newman and Robert Redford. In addition to this more well-known type, there are the "ragtime songs" or vocal rag, which eventually merged with popular music and the Vaudeville theater, the "ragtime waltzes" or "syncopated waltzes" (ragtime waltzes or syncopated waltzes), played in a 3/4 time, famous in the golden age of ragtime, and the last type, the "jazz rag", which consists of adapting any popular song and "breaking" or "tearing up" your time so as to leave it with a more danceable rhythm. Examples of this type of rag are found in "Mack the Knife" (originally the opening song for "Opera of the Three Vintems", a piece by the German Bertolt Brecht) and "Dinah", performed by several artists, including Louis Armstrong and Duke Ellington.