You have been asked to paint a picture that includes buildings, fields, a river, and a mountain. describe how you would use at least four monocular cues to give your painting a sense of depth?

Explanation:

I would be using interposition, relative size, shadow and illumination, and linear view. Through placing homes, woods, and a river before the mountains, I would use interposition for big. The mountains will be seen as far behind by doing this. Use relative size, make nearby items larger, including field weeds, and smaller artifacts as far as the mountains. This will create a sense of scope with the painting pictures. When designing the houses, I will use light and shadow as dimension. The picture would appear more three-dimensional by shadowing the sides of the houses.

I can often use longitudinal vision to shape sides of the buildings when drawing the buildings. I can form three-dimensional buildings, all relative one to another, by putting a dot on the paper and connecting all the corners of the front of the buildings to that dot.

A. Motion parallax pictorial depth cues.

Explanation: because it’s A